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This blog is for those who are true Music Lovers,
and those who are looking for something that is not necessarily inside the proverbial box.
Be prepared for a few surprises along the way...
with some ordinary, but excellent items added from time to time, as Garnish and Condiment.

I'm finally finding my way here on this Music Blog...not merely featuring random posts in order to generate page hits (think Twitter), but documenting significant events in my Listening Experience (though not in chronological order). Collectively, they have shaped my Ear to accommodate a ridiculously wide range of Music. There is not one genre in which I have not found Music that I was fascinated by. Also, I cross-referenced the new Music I discovered by "re-searching" recordings of the Musicians surrounding (or referenced by) the Album Artist.

Sometimes I even bought Music "in the blind" so to speak, based upon my record store salesman's recommendation or after browsing really thorough liner notes (ex., any classic Blue Note LP)...or even a brilliant Title (ex., Wendall Harrison - "An Evening With The Devil", or Pink Floyd - "Several Species Of Small Furry Animals Gathered Together In A Cave And Grooving With A Pict") or unique Album Art (ex., Aquanote - "The Pearl", Minnie Riperton - "Come To My Garden", Doug Carn - "Spirit Of The New Land, Spooky Tooth - "Ceremony", or any P-Funk or Hed Kandi, and certain Zappa and "electric" Miles covers). I realized from experience that few will invest the Time/Money/Resources to generate boutique artwork for inferior Music (ex., some so-called rap "mixtapes" [sic]). The more often I took chances, the more often I'd discover a Prize.

And few laypersons will invest the Time I spent standing for HOURS inside record&department stores flipping through EACH&EVERY lp, 45, 8-track, cassette, and/or cd just to make sure that I did not overlook an "Easter Egg". Add to that the HOURS spent actually LISTENING to all that Music! I wasn't a "frustrated" Musician as much as a "vicarious" one. Every payday in the early 70's, I would buy about seven LP's...mostly items that I had never heard before. And my record salesman always gave me a money-back guarantee, but I never needed to use it.

So for example I had heard George Duke, and Jean-Luc Ponty well before many because I listened to Zappa. In fact, it was Zappa's "Weasels Ripped My Flesh" track - 'Eric Dolphy Memorial Barbecue' that caused me to wonder just WHO Eric Dolphy was. When I finally found out, that took me on ANOTHER Musical quest. And by exploring all of electronic Miles' sidemen, I was introduced to another whole universe of creativity...Tony Williams Lifetime, Mahavishnu Orchestra, Mwandishi, Headhunters, NTU Troop, Return To Forever, and the numerous individual artist-led collaborations by Musicians that had passed through Miles.

So my purpose here is to share not just Music, but an entire Musical Perspective. Just as Experience shapes Behavoir, "listening Experience" shapes "listening Behavior".

Are You Experienced?



Saturday, December 24, 2011

The George Benson Quartet - The George Benson Cookbook (1966)

The George Benson Quartet - The George Benson Cookbook (1966)

"This is basically the George Benson quartet, with Smith and Cuber, but trombonist Bennie Green and percussionist Pucho were added on some tracks, giving them a bop flavor that delighted dedicated jazz fans and critics. Green worked with Gene Ammons and Charlie Ventura in the forties, and sporadically with Earl Hines between 1942 and 1953. Benson's quartet was modeled after Jack McDuff's--with baritone saxophonist Ronnie Cuber, organist Lonnie Smith, a powerhouse player who deserved more attention than he ever received, and Jimmy Lovelace or Marion Booker on drums. The sonorous tone of Cuber's baritone gives the quartet a richer, more dense texture than that obtained by McDuff, who used a tenor, but the overall sound is the same. At twenty-five, Ronnie Cuber was an alumnus of Marshall Brown's celebrated Newport Youth Band; he had spent the previous two years with Maynard Ferguson's very loud and brassy orchestra, which may account for his aggressive style, but Cuber's approach also emphasized rhythm, and that was precisely the ingredient called for by a "soul jazz" group of this kind." 




TRACKLIST:
1. The Cooker
2. Benny's Back
3. Bossa Rock
4. All Of Me
5. Big Fat Lady
6. Benson's Rider
7. Ready And Able
8. The Borgia Stick
9/10. Return Of The Prodigal Son, Jumpin' With Symphony Sid

George Benson, guitar
Ronnie Cuber, baritone sax
Bennie Green, trombone
Lonnie Smith, organ
Jimmy Lovelace, drums
Marion Booker, drums

Produced by JOHN HAMMOND
Recorded on August 1, & October 19, 1966

[CTRL+A]

http://www.filesonic.com/file/T728AoH
http://www.megaupload.com/?d=VLQS30XY
http://www.fileserve.com/file/4EQw5mG/66_cbGt-qBgt_91.rar
http://hotfile.com/dl/138395439/31ee1b8/66_cbGt-qBgt_91.rar.html

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